Häxan

Benjamin Christensen, Ella La Cour

Supposedly intended as a moral education tool, Häxan instead is ripe, bawdy, and more than likely to give you sympathy for the devil. Director Benjamin Christiansen took the Malleus Maleficarum – the medieval witch finder’s handbook – and made a documentary on witches. Having it deliciously both ways, Christiansen’s film gives us incubuses seducing maidens, medieval torture devices and witches’ sabbaths, while also unpacking the myth of the witch as a tool of oppression.

Full of sumptuous recreations – in brilliant red and blue filters – of witch burnings, goblin parties and ostentatious devilry, on its release Häxan was the most expensive Swedish film yet made. A phantasmagoria worthy of William Blake or Albrecht Durer, it’s guaranteed to make you look askance at a church gargoyle and see silent film in a new light.