Find out more about our South East talent below and get in touch if you’d like to hear more about how BFI NETWORK can help filmmakers and producers based in the South East.
Cover photo: Red Rover (dir Astrid Goldsmith)
Jess Dadds is a new generation filmmaker, from Canterbury, Kent. Writing/Directing films largely focused on youth culture and social issues affecting young people, whilst making them in a way that is progressive within independent cinema.
Jess often works with a mixture of traditionally trained actors, and “non” actors to create a unique style of realism, combined with elements of subjective fantasy from within the script. Usually the performers Jess works with have personal experience with the issues the film discusses. This helps allow the films to operate in a space in between documentary and fiction. Breaking the tradition that British films about social issues have to be presented in a certain style of social realism.
Jess has worked on a variety of commissions from organisations such as Channel 4, Mind:The Mental Health Charity, Screen South, Soho House Berlin and VisitDetroit. Most recently his directorial debut music video was premiered online by Clash Magazine.
Funded by BFI NETWORK, Jess’ new short film “I am good at karate”, follows a young teenager with schizoaffective disorder who is passionate about karate. They wander around a housing estate in East Kent locked in verbal and physical battles with a hallucinatory Demon made of football shirts.
Born in 1986 in New York City to a Dutch immigrant and a father from the Bronx, David Drake is a director and photographer currently residing in Norwich. He has shot for every major record label from Sony to Universal and his work has been published in Vogue, Hypebeast, Creative Review, NME and many other magazines. In 2016, the album artwork he photographed for The 1975 was nominated for a Grammy.
David started directing music videos around 2014, and wrote and directed his first short film in 2017. His first short documentary premiered on NOWNESS in December 2018.
David is currently in early development with his feature film Modern Washout, and in production on a short documentary about jazz in Harlem called Post 398.
Russ Etheridge has been working as a professional animator for more than eight years, working with high profile clients such as TED, Facebook, Google, Air BnB, Virgin, Adidas, IBM, Armani and many more. Previously he was Senior Creative at award-winning animation company Animade where he was Director, Designer and Team Lead on many of their high profile projects. Whilst at Animade, Russ co-created and animated the hugely popular 2016 short Olympops.
Russ has recently worked as a freelancer with Moth, Wednesday Collective and The Line. He frequently delivers workshops and lectures, most recently lecturing on 3D animation at Hyper Island in Stockholm.
Russ is the Director / Writer / Animator of the BFI NETWORK supported short film Armstrong, working alongside his wife Ayndrilla Singharay. Russ and Ayndrilla have been busy completing Armstrong this year and they have another important joint project in the pipeline too – a new baby.
Armstrong has been selected to play in the following festivals:
- Short Of The Week, May 2020
- Cardiff Animation Nights, July 2020
- Iso Film Fest, August 2020
- Encounters Short Film Festival, September 2020
- Pictoplasma, September 2020
- Animator International Film Festival, October 2020
Nick is a filmmaker and actor who studied at Bristol University and Drama Centre London. He fell in love with making films from an early age after getting his hands on the family camcorder, and is passionate about telling stories that explore queer love and inner city experience. His first full scale short was part commissioned by DAZED and the UN Association and screened at BFI Southbank in 2017.
Nick is inspired by the works of Andrea Arnold and Wong Kar Wai. His acting work has taken him to theatres including Bristol Old Vic and Battersea Arts Centre, and film locations from Pinewood to Portugal. Nick trained in Meisner Technique and the method of Uta Hagen.
BFI NETWORK is supporting Bingo Queens – amid the spit and the slurs of a transphobic attack, a young gay musician and a transgender ballet dancer are flung into each other’s orbit… As a spark of friendship ignites between them, the pink neon lights of a faded old Bingo Hall provide the sanctuary and warmth they had no idea they needed.
Shakira Francis is an actor, director and writer based in Luton. She graduated from the Royal Central School of Speech and Drama in 2015 where she fell in love with the idea of storytelling through the art of film and television. Her journey as an actress in the industry inspired her to write as she wanted to create more roles for women, particularly BAME women.
Shakira’s 2018 directorial debut was the short film, 4C. 4C is about the loveliness of afro hair and was selected as a finalist for Film Hub South East’s Short Film Competition, South East Stories: New Filmmaking Talent. The reception of 4C encouraged her to continue writing and Shakira’s BFI NETWORK supported short The Lost Land Girl is now finished.
The Lost Land Girl is a combination of Shakira’s love for period drama and her Caribbean heritage. Set during the Second World War it looks at the passion two sisters had to help Britain in their fight but also the struggles they faced in doing so.
The Lost Land Girl has been selected to play in the following festivals:
- Earls Court Film Festival, October 2020
- British Urban Film Festival, 2020
Astrid Goldsmith is an award-winning stop-motion animation director, based in Folkestone. While working as a commercial model maker for film, tv and advertising – making everything from the Duracell Bunny to vibrating alien slugs for Hitchhiker’s Guide to the Galaxy – she completed her debut short film, Squirrel Island, in 2016. Squirrel Island went on to compete at some of the world’s top film festivals – including Clermont-Ferrand, Tampere, LSFF, Brest, and Warsaw Film Festival – and won several awards for Best Animation.
In 2018 she was selected for the prestigious BFI / BBC4 Animation 2018 talent scheme, designed to support the UK’s most exciting emerging animators. In just 20 weeks she completed her 13-minute commissioned film, Quarantine, which premiered at the BFI in November 2018, was broadcast on BBC4 in December, and was subsequently nominated for Debut Director at the Edinburgh TV Festival’s New Voice Awards.
BFI NETWORK is supporting Astrid’s short film Red Rover, a stop-motion colonial monster movie set on Mars.
Red Rover has been selected to play in the following festivals:
Alex Kyrou is a writer and director based in Epsom who is attracted to sensitive filmmaking and whose work has showcased at numerous international film festivals. He is passionate about exploring stories with depth and feeling and believes that short films have no less power to engage audiences and tackle important themes.
Alex started his career working on the visual effects of feature films at Method Vancouver and MPC London. Progressing to filmmaking, he directed conceptual music promos and commercial projects. He later wrote and directed the emotionally raw short film White Awake which showcased at NewFilmmakers Los Angeles and the TriForce Film Festival in London. It later won Best BAME Short Film and Best Cinematography in the FILMSshort competition.
His latest writing/directing effort is the BFI NETWORK supported short, Blank Shores, a sci-fi/drama starring Georgina Campbell. The script was awarded the Grand Prize in the Vortex Horror/Sci-Fi category at the Oscar/BAFTA affiliated Flickers’ Rhode Island International Screenplay Competition. Additionally, it was a finalist in the Global Script Challenge at the Oaxaca FilmFest, a finalist in the Southern California Screenplay Competition, and a semi-finalist in the Vail Film Festival Screenplay Contest.
Alex is currently looking for a like-minded writer to collaborate with on his first feature film as a director.
Michael Mante is a writer/director from Bedford, Bedfordshire looking to tell poignant and relatable stories through the gift of cinema.
“I didn’t go to film school, but I got my education through watching hundreds, maybe thousands of films (US, domestic and foreign), specifically taking a liking to the films of Michelangelo Antonioni, Edward Yang, Akira Kurosawa and Paul Thomas Anderson. I also read a mass of screenplays and still do, trying to figure out what it is about films that makes them tick. I have so far tried to apply some of these practices in the things I’ve written and made so far and am still in the process of refining myself as a filmmaker. I’ve got a couple of short films which I’ve yet to completely put together and put out there but each has served as a learning curve, along with the short art film (Body Language) I did tackling identity and race with C4 Random Acts. This short film had a few cinema screenings and was part of the official selection at the 2018 London Short Film Festival which was a good experience for me.”
Michael has recently completed early treatment development stage with a feature film thanks to funding and support from the BFI. He’s has now completed his BFI NETWORK supported short film Sandpaper.
Sandpaper has been selected to play in the following festivals:
- SOUL Fest August 2020
- Durban International Film Festival, September 2020
- Bolton International Film Festival, October 2020
- Raindance Film Festival, October 2020
- Aesthetica Film Festival, November 2020
David Proud is an English actor /writer / producer. He was born with Spina Bifida and uses a wheelchair. Listed in the Shaw Trust / Channel Four Power 100 List as one of the 100 most influential disabled people in 2018, David also works as a disability consultant for the British Film Institute and has provided project-based consultancy for Company Pictures, Scott Free UK and BBC.
David’s directorial debut Sympathy for the Lemon premiered at Edinburgh International Film Festival in 2017. He currently has a development deal with BBC Film for a new feature film called Mavericks, co-developed with writer Paul Viragh, and has been commissioned by Unstoppable/All3Media to co-write an original series with Noel Clarke.
As an actor, David is most well known for playing Adam Best in BBC’s EastEnders, making history as the first disabled actor to appear as a series regular in the popular BBC prime time drama. In 2018 David began a two-year Engagement Fellowship with the Wellcome Trust in which he will write a new book and film a documentary looking at inclusion of disabled people in society and scientific medical advances.
Verisimilitude has been selected to play in the following festivals:
- Palm Springs International ShortFest, June 2020
- Encounters Short Film Festival, September 2020
- DC Shorts International Film Festival, September 2020
- Bolton International Film Festival, October 2020
- Superfest, October 2020
- Norwich Film Festival, November 2020
- Aesthetica Film Festival, November 2020
- This Is England, November 2020
- London Short Film Festival, January 2021
The writer-producer of the upcoming BFI NETWORK supported short film Armstrong, Ayndrilla Singharay is interested in cross-cultural feminist perspectives. Her screenwriting has been developed and produced by Film London. Her feature screenplay for Unsung was shortlisted to the final six for Film London’s Microwave 2015 and she co-wrote short film The Prisoner with director Masood Khan, which was produced by Film London’s short film competition London Calling in 2016.
Ayndrilla produced Unsung the stage play at the Edinburgh Fringe Festival 2014 to critical acclaim. Prior to this she produced a London run at the Rosemary Branch Theatre in 2013 including a sell-out performance at the historic Wilton’s Music Hall.
Ayndrilla has often been invited to speak about her work through platforms like the Women of the World Festival at Southbank Centre and BBC Asian Network. She also worked for a South Asian women’s refuge for seven years, which has profoundly influenced her writing.
Armstrong has been selected to play in the following festivals:
Alice Trueman is an award-winning writer/director based in St Leonard’s-On-Sea, Hastings, and working across the South as a freelance editor and filmmaker. Alice’s second directorial short, Jas, won several awards including Film Hub South East’s “South East Stories: New Filmmaking Talent” competition.
As a director Alice is drawn to explore the shadow self and themes of mental health – but to keep a healthy balance she can also often be found making silly comedy shorts! She is now in pre-production on her BFI NETWORK-funded short film, The Cost Of Living, which aims to bridge these two polarities, embracing a gallows humour to highlight the absurdity of existence. Representing ‘incidental’ queer narratives on film is also of central importance to Alice’s work and earlier this year she was invited to take part in Tribeca N.O.W. Digital Creators Market with her queer comedy sketch web-series Spoon the Prune.
Alice’s short films have screened at festivals such as BFI Flare Festival, Encounters, LSFF, British Shorts Berlin and Raindance. Before becoming a filmmaker, she co-wrote two plays for Broken Leg Theatre company, winning an Argus Angel Award at the Brighton Fringe and funding from the Arts Council England to tour a production around the UK, which received 4 & 5-star reviews and a Lyn Gardner Pick of the Week.
Perry White is a writer and director with a passion for telling stories about regular people and their daily conflicts. He’s currently based between London and Slough where he works as a freelance videographer and editor.
“I believe that the responsibility of the filmmaker shooting a film for the present day, regardless of genre, is to represent the times that we’re in, and so I find it imperative to provide insight into the less flamboyant but equally important aspects of our society. Being born and raised in Slough, one of UK’s most ethnically diverse local authorities, provided me with a plethora of cultural and societal stimuli to absorb from.
Much of the perspective with which I tend to write from comes from my upbringing in such a culturally varied environment. Where most people on the outside find an awkward mismatch of ethnicities all squeezed into this concrete melting pot, I embrace how it taught my peers and myself a certain degree of tolerance and insight into the unfamiliar, from as far back as I can remember.”
BFI NETWORK is supporting Perry’s short film Home by 8.30, following a teenager challenged by two contrasting realities that he is determined to never let crossover: his family life inside of his home and a violent inner city encounter outside.
Home by 8.30 has been selected to play in the following festivals:
Katie is currently in post-production on her second feature ‘Martyrs Lane’, written and directed by Ruth Platt, which is supported by the BFI. Her previous film, “Bruno” by writer/director by Karl Golden premiered at the Galway Film Fleadh in 2019 and went on to screen at Hamburg, Tallinn Black Nights and numerous other festivals.
Her short films ‘The Cost Of Living, ‘Cut’ and ‘Miss’ have received backing from the BFI, Creative England, Erasmus, the Icelandic Film Centre and Shorts International.
Aside from feature films, Katie produces commercials and content for brands and charities.
Katie is an alumnus of the Berlinale Talents Campus.
Clare is a film producer who has collaborated with several directors to produce short films that have a social message. “Blank Shores” explores child loss and mental health issues; “Pianist in a Brothel” observes a creative’s talent being overlooked; “Branded” highlights illegal African witchcraft practices in the UK; “Saving Light” reveals the trauma of bullying; “Crumble” shines a light on the enlisting of 16-year-olds into the UK armed forces; and “White Awake” delves into an adult’s childhood trauma. All six shorts have garnered industry recognition and between them have featured at notable festivals such as Flickers’ Rhode Island International Film Festival, Holly Shorts, the London Short Film Festival and Leeds International Film Festival.
Originally from a design and marketing background, Clare transitioned into promotional and branded video content. Her debut in the producing world was producing music promos for independent artists; Clare then moved into content for broadcast, events and online. After producing several story-driven music promos with the “Blank Shores” writer/director Alex Kyrou, she decided it was time to start producing narrative work for the screen. Their first collaboration was short film “White Awake”, which showcased at NewFilmmakers Los Angeles and the TriForce Film Festival in London, and later won Best BAME Short Film and Best Cinematography in the FILMSshort competition.
Clare is drawn to producing projects with strong characters and powerful subtextual potential, and is always on the lookout for new scripts to develop.
Ruth is a freelance producer based in London. She began her career working in film programming in Berlin and Amsterdam, and as a researcher for the Academy of Motion Picture Arts and Sciences in LA. In 2016 she returned to the UK to work in talent development for Film London before transitioning to producing, working in-house for Potboiler Productions on both Lenny Abrahamson’s The Little Stranger (2018) and Iciar Bollain’s Yuli (2018) and most recently on set for SunnyMarch on Will Sharpe’s Louis Wain (2021) and Kevin MacDonald’s Prisoner 760 (2021).
Ruth’s producing/exec. producing credits include Dorothy Allen-Pickard’s short films Objectified (2018), A Sonic Pulse (2019) and Wannabe (2019) which have screened at BAFTA-qualifying festivals worldwide and have featured on various platforms including The Guardian, Al Jazeera and Vimeo Staff Picks.
Alongside the BFI Network supported short, The Butcher’s Daughter, Ruth is also producing a BBC Commissioned short comedy in collaboration with BREACH Theatre. She is developing her own slate of films and is driven by the power of film to create change, making films that confront mainstream perspectives and conventions in unique and bold ways.
Tuli Litvak is producing a BFI NETWORK commissioned short together with a BAFTA-nominated crew. Tuli worked as a Producer for Core TV were she oversaw the production of all video content, distributed across various networks, including Sky News and Al Jazeera. Starting her career in 2014 whilst at uni as the UK-based Production Assistant for the Emmy-nominated production company Got The Shot Films, including on ‘Restless Creature: Wendy Whelan’ which received a NY Times Critic’s Pick and was also praised by Vogue as well as was screened at NYFF, Raindance Festival, and the Venice Biennale. She’s worked as a Production Coordinator on shorts and music videos including for Tirzah via PRETTYBIRD as well as a Freelance Fashion shoot Producer for the likes of Tank Magazine. She’s also worked as an Assistant Post-Producer for David Sims and has had her videoart work exhibited in London and internationally.
Mia Xerri has been working as a Producer for over a decade spanning Commercials, Branded Content, TV, Short Film and Music Video for some of the world’s leading brands and channels. As Senior Producer at female owned and led production company Be The Fox – she has led award winning productions in the UK and Internationally, and more recently begun Directing content led by women in motor and sports.
She is currently in pre-production on upcoming BFI NETWORK funded short X to X with Writer/Director Lily Gwynne-Thomas and Co-Producer Precious Mahaga. Mia recently Exec’ed on Raindance supported short horror The Devil’s Harvest, and has a number of projects currently in development including her own short she is writing, working with Development Producer Julia Berg recently selected for BFI NETWORK 2019 Producers Lab. Mia has a strong passion for dark genres, exploring uncommon perspectives and particularly driven by female led stories.
Formerly Head of Music Video at Greatcoat Films, Precious Mahaga is now a freelance producer working in music video, commercial, and short film. She has a keen interest in narrative projects which share the stories and experiences of marginalised social and cultural groups. Recent, notable projects include Trouble, the award-winning narrative music video for Kano directed by Aneil Karia, and award nominated music video for Michael Kiwanuka, Jorja Sith and Raleigh Ritchie. She was also line producer on Two Single Beds, a short film written by and starring Daniel Kaluuya, which is showing at this year’s BFI London Film Festival.
Charlie Edwards-Moss and Joe Williams
Joe and Charlie are a writer/director duo from Oxfordshire who’ve been making films since they were 15.
Studying Film Practice (BA) together at London College of Communication, they graduated in 2016 with their short Duke’s Pursuit, an Icelandic-set western shot on location.
Their most recent film, Ratking (2020), made whilst applying for funding for another project with the BFI, has been selected for the British Short Film category at Leeds International Film Festival.
Their upcoming short, Original Villain, will be a 70’s set psychedelic horror that puts an emphasis on character and atmosphere.
Ratking has been selected to play in the following festivals:
Cheri Darbon is a London-based producer with seven years’ experience in commercials, promos and independent short films. Her background in television has spanned across major broadcasters, including Channel 4, ITV and UKTV.
She currently freelances as a producer and production manager, working on shorts including Yero Timi-Biu’s Signs, and Runyararo Mapfumo’s: Dawn in the Dark (BFI x BBC Films) and Sensational Simmy (BBC Arts x Google Arts).
Recent roles include production manager on Kisses & Bumflicks for Sky Studios and production manager on a new weekly live stream with Amazon Music and Twitch, with production rolling out into Germany, France, Italy and Spain.
Cheri is in development on a number of projects, including co-producer on Abdou Cisse’s Festival of Slaps (BBC Films) alongside Joy Gharoro-Akpojotor, and associate producer on Mia Watkins’ directorial debut (Film 4). She is mentored by Yvonne Isimeme Ibazebo as part of the BFI Flare x BAFTA Crew Mentoring Programme.
Passionate about storytelling and collaborating on projects from conception to completion,Nina is inspired by films that tell great stories and in the surreal and fantastical.
Returning to the industry in 2015, Nina successfully production managed 72 shorts across 2 ½ years, helping emerging filmmakers realise their creative vision across multiple genre such as live action (scripted, spoken word), live action with VFX, animation, documentary and dance for Screen South, Arts Council England and CH4 Random Acts.
Nina is currently in post production with her debut film as a Producer, I am good at Karate. The film, funded by the BFI Network was shot on 16mm at 15 locations across Kent in 3 days. Karate follows a teenager suffering from Schizoaffective disorder as they wander a decaying community in conversation with their auditory and visual hallucination of an 8ft Demon made of football shirts.
Nina lives in Hastings, East Sussex.
Richard is an award-winning producer with over 15 years experience in producing events, films, photoshoots, immersive experiences, promotions, fashion shows, and large scale award ceremonies.
He has worked with a host of world-renowned brands, creative agencies and charities to produce a variety of films including campaign films for Terrence Higgin’s Trust, music videos with Tinie Tempah, JLS and Jurassic 5 and brand films for O2, Nike and Dr. Martens.
Richard is currently working on an upcoming BFI NETWORK funded short film Pole with Writer/Director, Matt Hass. Their film is an intimate gaze into the life of a lonely outsider who has lost his job and, ultimately, his last real connection to a ‘normal’ life. Rejected and driven to the periphery of society, we witness his cathectic and bloody rebirth into a vigilantism, as he saves a couple from the clutches of a violent gang, without thinking of the consequences.
Alex is a producer working across film, television and commercials.
Alex produced the feature documentary The Banksy Job, which premiered at the Tribeca Film Festival 2016 and was released internationally in 2017. Alex subsequently set up Vault Films to develop and produce features, documentaries and shorts from bold and exciting filmmakers.
Projects include the shorts The Cost of Living, funded by the BFI and directed by Alice Trueman, and Solitary, directed by Ian Roderick Gray and commissioned by the NHS.
Feature projects Alex is developing include Nothing Succeeds Like Success, a feature documentary exploring the seminal recording studio, Trident which was selected for the prestigious Sheffield DocFest MeetMarket, and the drama, Nothing is True, which explores the true story of William Burrough’s run in with Scientology.
Alex has also produced music videos and commercials for clients such as Sky Bet and ITV.
Alex is a graduate of the Sheffield DocFest Future Producer’s School.
Dorothy is a filmmaker from South-East London who recently completed an MA in Directing Fiction at Goldsmiths University. She started out making documentaries while studying French and Film at Warwick University, and won the Guardian Documentary Award for her first film In the Name of Greatness. While at Warwick she co-directed the Fringe First multimedia show The Beanfield and became a member of Breach Theatre. In 2019 Dorothy won Best UK New Director at BFI Future Film Festival and her short film The Mess was awarded with Best UK Short at Open City Doc Fest, Young Director’s Award, Vimeo Staff Pick and was shortlisted for Grierson Short Award. Her films have screened at festivals including Sheffield Doc Fest, as well as on BBC3, Channel 4, i-D and The Guardian. She has a particular interest in working with non-professional actors to create films that merge documentary and fiction and is currently developing a feature script about a butcher with OCD.
As producer, Katie’s latest BFI-funded short film Signs with writer/director Yero Timi-Biu won the Youth Jury Prize at the Academy Award-qualifying Encounters Film Festival, playing at many more festivals at home and abroad. She is currently in prep to shoot her next film with filmmaker Dipo Baruwa-Etti, backed by BBC Drama Commissioning and the BFI. Katie is a current BFI NETWORK x BAFTA CREW producer.
Katie is Development Executive at Blueprint Pictures (Emma, Three Billboards Outside Ebbing Missouri, In Bruges, Best Exotic Marigold Hotel) where she sources and develops projects for the production company’s slate. She has worked in production and development for BBC Films, BBC Studios, Sugar Films, Disney and Lionsgate.
Katie also produces Canned Laughter, a charity comedy night that has raised over £20k for London’s food banks and has featured stars including Mae Martin, Phil Wang, Aisling Bea, Tom Allen, Deborah Francis-White and Lolly Adefope.
Dipo Baruwa-Etti is a playwright, poet, and filmmaker. For screen, he is developing several original pilots for television and is in pre-production on his BBC Drama/BFI NETWORK short film The Last Days, which follows a woman who discovers it’s her last day on earth and is torn between fighting the system and preparing her daughter for what’s to come. As a playwright, he is currently Channel 4 Playwright on attachment with Almeida Theatre and his upcoming plays include An Unfinished Man at The Yard Theatre, published by Faber & Faber. As a poet, Dipo has been published in The Good Journal, Ink Sweat & Tears, Amaryllis, and had his work showcased nationwide as part of End Hunger UK’s touring exhibition on food insecurity.
Chuckie McEwan is an award-winning producer from South East London, with over 12 years experience in live-action, animation, VFX, documentary, commercial, broadcast, and short film. She lectures in Film Production at University of the Arts, London, and runs short courses and community workshops in filmmaking for varied age groups. The principle underpinning all of her work is a commitment to accessible learning, and expanding filmic dialogues. Chuckie co-runs Grey Moth; a commercial production company bridging the gap between grassroots talent and commercial video production. Operating as a network of filmmakers and creatives, Grey Moth allocates a percentage of their profits to funding and facilitating original films, and amplifying emerging voices. Chuckie’s clients include; Disney, Chanel, M&C Saatchi, Virgin Media, BBC, Red Bull, and Xbox.
I graduated from Central Saint Martins with a BA (hons) in Fine Art. After graduating I worked for independent film Company Tartan Films for five years before going Freelance as a photographer in 2008.
I have had my Portrait, editorial and Fine Art photography published in: The Architects Journal, Dazed & Confused, The Evening Standard, The Guardian, Harper’s Bazaar , iD, Interview Magazine, It’s Nice That, NME, Rolling Stone, The Telegraph, Time Out, The Times, Vice, The Wire, Wonderland etc.
My commercial clients include:
Air France, Amazon, Bacardi, Britvic, CAT Footwear, EMI, Huawei, Hugo Boss,IKEA, Intel, Jeep, Lacoste, L’Oreal, Marc Jacobs, Mr Start, MTV, Nike, O2, Picturehouse Cinemas, Ray Ban, Samsung, Sony Music, Sony Playstation, Spotify, Stella Artois, Stora Enso, Suzuki, Terrence Higgins Trust, Tesco Ticketmaster, Toni&Guy, Valentino, Victorinox, Vidal Sassoon, Viktor & Rolf, Warner Music, Woolrich.
Ludovico is a London-based producer, working across film and television, as well as developing a slate of feature and short projects. In 2019 he graduated from the National Film and Television School with an MA in Producing Film & Television.
The short films he produced at the NFTS have screened at several festivals around the world and his graduation documentary has won the Grierson Award for Best Student Documentary. While at the NFTS, Ludovico was mentored by Paul Webster and Tanya Seghatchian.
After his graduation, Ludovico was an intern in development at Heyday Films and subsequently worked as a production assistant on the HBO series We Are Who We Are by Luca Guadagnino.
Ludovico has just wrapped production on the BFI-funded short film “Left Over” by David N. Drake, starring Ian Hart and Chloe Pirrie. He is currently supervising postproduction and developing new projects.
Prior to working in film, Ludovico graduated in 2016 with a BA in Economics from the University of Padova, the town where he was born and raised.
Films are the one-true-love of writer, director LGT.
After cutting her teeth in music videos and self-funded shorts, Lily is bringing her narrative short X to X, to life with the help of the BFI. Currently in pre-production, it is a story of identical twins, dive bars, and a woman’s catharsis. For this project Lily, and her team, are taking on a full scale set build of a Deep Southern, ‘All American’ dive bar and casting one actor as two identical twins. She loves a challenge.
Lily’s stories are always personal and her background in human biology has left her with a fascination of the human form and its effect on our identity – something which too bleeds into her writing.
As well as a working as a director in narrative and promo, Lily is an Action Vehicle Coordinator on blockbusters such as Fast & Furious 9 and currently, The Batman.