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Following on from a successful panel discussion at ID Screening Days 2024, Nadia M. Oliva explores how organisations can navigate programming and conversations that reflect their values while assessing the risks and challenges of operating in the charged era of contemporary discourse.
Our regular monthly update featuring the latest news and opportunities for your cinema, festival or film society.
Last month, we sent our Marketing Officer Sami Abdul-Razzak to attend Europa Cinemas' Audience Development and Innovation Lab in Bologna, which took place alongside this year's Il Cinema Ritrovato festival. In this blog, Sami highlights some of the ideas that have stuck with him since returning home.
Last month, the ICO's Duncan Carson and Sami Abdul-Razzak headed to Bologna for this year's Il Cinema Ritrovato - the Cineteca di Bologna's annual festival showcasing the latest restorations and rediscoveries from archives and film laboratories around the world. In this blog, they share a few of their highlights.
In this blog, Matchbox Cine's Sean Welsh explains how they've managed to reliably and consistently produce and present optional audio description at their Weird Weekend events, which take place in an ‘emerging’ non-theatrical space.
In this blog, Yasmin Begum shares her experiences of working as a researcher with Butetown Arts and Culture Association to create an archive of Butetown Carnival and bring this to a diverse local audience.
The ICO team shares some of their highlights from this year’s Cannes Film Festival, including new work by Payal Kapadia, Sean Baker and Rungano Nyoni.
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