The Secret History of Indian Cinema

“Like Mélies, Phalke was a skilled craftsman and trained artists with a passion for magic”
Sean Cubitt, author The Cinema Effect

This programme presents revelatory and rare films from two founding periods of Indian cinema. D.G. Phalke’s fantastic films, like those of George Méliès in France, are the foundations of Indian cinema. Phalke, the “father of Indian cinema,” gave magical movement to Indian mythology when he produced Raja Harishchandra the first ever Indian film in 1913. Inventive and playful, these films merge folk theatre with epic literature, myth with modernity. Showing with these are films produced under the government’s ‘Films Division’. Founded in 1948, with the aim of documenting independent India, these works reflect the processes of post-colonial nation building. Similar to the British GPO Film Unit, filmmakers were given free reign in the 60s and 70s to explore the possibilities of cinema from animation and impressionistic documentary to subversive collages.

Films